Thursday, July 2, 2026

A02097 -Zenkei Shibayama, Japanese Rinzai Zen Master

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Shibayama, Zenkei 

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Zenkei Shibayama
Personal life
Born30 November 1894
Japan
Died29 August 1974 (aged 79)
OccupationWriter
Rōshi
Religious life
ReligionZen Buddhism
SchoolRinzai
Senior posting
Based inNanzen-ji
Otani University

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"The mirror is thoroughly egoless and mindless.  If a flower comes it reflects a flower, if a bird comes it reflects a bird.  It shows a beautiful object as beautiful, an ugly object as ugly.  Everything is revealed as it is.  There is no discriminating mind or self-consciousness on the part of the mirror.  If something comes, the mirror reflects; if it disappears, the mirror just lets it disappear ... no traces of anything are left behind.  Such non-attachment, the state of no-mind, or the truly free working of the mirror is compared here to the pure and lucid wisdom of the Buddha."  (08/16/2022)

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Zenkei Shibayama (柴山 全慶, Shibayama Zenkei; 1894 – 1974), a former Abbot of Nanzen-ji, was a Japanese Rinzai master well known for his commentary on the Mumonkan. One of his better-known students was Keido Fukushima, abbot of Tōfuku-ji. Shibayama also taught at Otani University and was the head abbot of the entire Nanzenji Organization, overseeing the administration of over five hundred temples.[1][2] Due to a number of lecture tours he undertook to the United States in the 1960s, and the translation of several of his books into English, Shibayama was a significant contributor to the establishment of Zen in America.

See also

Bibliography

  • Zen Comments on the Mumonkan. Harper & Row. 1974. ISBN 0-06-067279-X. OCLC 804989.
  • On Zazen Wasan: Hakuin's Song of Zazen. Kyoto. 1967. OCLC 2279785.
  • Shibayama, Zenkai; Gyokusei Jikihara (1967). Zen Oxherding Pictures. Tokyo: Sōgensha. OCLC 174614524.
  • A Flower Does Not Talk. Kyoto: Shibayama. 1966. OCLC 3836026.

Notes

  1.  Ford, 116-117
  2.  Loori, 344

References

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IN MEMORY OF SHIBAYAMA ZENKEI (1894-1974) By Kudo Sumiko from The Eastern Buddhist 8,1 (May 1975), pp. 149-154, with minor revisions On August 29th, 1974, Abbot Shibayama Zenkei of Nanzenji closed his life of eighty years. As the last poem he wrote reveals, he devoted his life to the work of compassion: Carrying snow and filling the well, For eighty-one years I have lived. Truly there is nothing special – I sleep with limbs outstretched. If one tries to fill a well with sand, however small the amount of sand one carries each time, the well will one day be full. If, however, one tries to fill it with snow, his efforts will never be rewarded, however hard he works. Still, such a sacred fool is the ideal image of man in Zen, and Shibayama Roshi actually lived the life of filling a well with snow, trying to transmit Zen both in Japan and abroad. Shibayama Zenkei was born in a village near Nagoya in 1894 as the first son of the Shibayamas, landowners of the area. He spent a happy childhood with good and considerate parents. While in elementary school his ambition was to be a general, a dream a great many boys had in those days. But he was not strong enough physically to enter junior military academy. One of his uncles was the Chief Abbot of Myoshinji in Kyoto and he must have impressed the young boy as a great man, for he decided that if he could not become a general, the next best thing would be to become a Zen abbot. Because he was very fond of learning, his mother, who was a devout Buddhist, thought it might be a good idea for her son to be a Zen monk. So when he was fourteen years old he was sent to a nearby Zen temple as an apprentice monk. When later he entered the Rinzai sect's college in Kyoto (now Hanazono University) and studied Zen, everyone thought he would turn out to be a good monk. As he grew older, however, he became critical of various aspects prevalent in the traditional Buddhist organizations in Japan, and found he could not just naively follow the usual course in becoming a monk. He began to study Christianity, and entered a Christian college. In those days there was a Christian movement led by Kagawa Toyohiko which advocated helping the poor by living among them. He agreed with this movement, and was ready to join them. It was partly due to physical reasons that he did not, but it was mostly because of his mother's earnest pleas against leaving the priesthood. Shibayama Roshi was against the old sectarian interpretations of religion, and was interested in Ludwig Zamenhof's advocacy of one world with one language. He studied Esperanto, and became one of the best Esperanto speakers in all Japan. But such ideas were considered dangerous in those days, and his name appeared on the black list of the Secret Police. As he was searching various spiritual avenues in this way, he happened one day to hear a talk by a Zen abbot, Mamiya Roshi, in which he said: "If one could cover the whole world with calf leather, it would certainly be wonderful. Then you could go wherever you wanted without dirtying or hurting your feet. As an idea, it is wonderful, but in actuality, quite impossible. Rather than talking of leathering the whole world, why don't you put a good pair of shoes on your own feet. Why don't you train yourself and perfect your own personality? Then you can go to any corner of the world wearing good shoes, and work to save your fellow beings." It was this talk that made the young Shibayama decide to enter a Zen monastery and become a monk. He said it made him realize how foolish he was, just talking about the idealistic impossibility of saving the whole world unaware that he in fact had neither the power, the ability, nor the wisdom to actually accomplish it. In 1916 he entered Nanzenji Monastery, and for over ten years went through hard training under Abbot Kono Bukai, noted as a very severe master. Finishing his monastery training, he turned to the academic study of Zen, later becoming a professor at Hanazono University, and also at Otani University as a successor to Suzuki Daisetz. In 1948, after ten years of university teaching, he was invited back to Nanzenji Monastery as Roshi, Zen master in charge of training monks, and in 1959, he was elected the head abbot of the Nanzenji organization of temples. In that capacity he was widely respected as one of the leading Zen masters of contemporary Japan. Shibayama Zenkei was a rare example of a Zen man in whom refined personality, penetrating insight, profound experience, and high learning were all wonderfully combined. He was a compassionate and understanding religious teacher who awakened love and peace in the hearts of all who came in touch with him. He was a strict Roshi who guided his disciples always from the genuine Zen standpoint, never yielding to any immature understanding, whether intellectual, psychological, or emotional. As a scholar he was one of the few Zen monks with a philosophical basis and creative thinking based on long and diligent study. Any mention of Shibayama Zenkei must include reference to the overseas activities in which he was engaged towards the end of his life. I was fortunate enough to accompany him on these trips as his interpreter. It is said that "Silence is more suitable to Zen than eloquence." Every year since 1965, Shibayama Roshi flew to the United States with the wish of transmitting Zen to the West. For this, speech and eloquence were not suitable. "Zen is not something that can be explained and understood; a talk or two on Zen in the United States would mean nothing," he said as he traveled the American continent from west to east, north to south, giving talks on Zen at various American colleges and universities. Although he was warmly received with goodwill and friendship everywhere, for an aged Roshi over seventy years old, three months of travel from one school to another with changes of climate and different food was not easy. It was certainly the picture of an old sacred fool trying to fill a well with snow. When the late Suzuki Daisetz was over ninety and he realized that the task of introducing Zen thought to the West was becoming too strenuous for him, he recognized that there was more and more need for an authentic Zen master to go abroad and provide practical guidance. Thus he turned to Shibayama Roshi. While agreeing that the idea was a good one, Shibayama Roshi felt that he was too old for the job, and, when a trip was proposed to him by the Hazen Foundation, he had misgivings about not being enough of a scholar to deliver the required lectures. Yet in January 1965, he left Japan on his first trip to the United States, unable to refuse any longer the earnest requests of Dr. Suzuki and the Foundation members. On this first occasion we visited the University of Hawaii, Claremont, Carleton College, Earlham College, Atlanta University, Duke, Colgate, and Wesleyan University, with the Roshi giving talks on such subjects as "Characteristics of Zen," "Freedom in Zen," "Training in Zen," and "The Ideal Image of Man in Zen." We stayed at one school from a week to ten days, during which time Roshi delivered public lectures, held seminars, and talked personally with many students and professors. The lecture hall was usually full, and the hour-long talk, including translation, was always followed by a period of lively questions and answers. Seeing learned professors, authorities in the field of religious studies, raising their hands high in the very first row together with the students, Shibayama Roshi was at first rather surprised, as this was something he had never experienced in Japan. He disliked by nature pedantry, pretension, Zen-monkishness or anything of that sort. Without any ostentation, he would give true Zen answers. His attitude, or personality, naturally impressed the audience. The sincere but initially slightly stiff atmosphere of the hall was soon a congenial gathering of friends, as the audience got in touch with the essence of Zen in the person of the Roshi, not as a concept or as philosophy, but as a living fact. One student said, "l don't know much about Zen. If, however, it is Zen that has produced such a man, it must be a great religion." Another, from the Middle West, telephoned us after a lecture, and said, "During the last war we heard a lot about the Japanese people, which made us form an image of them as an uncivilized, cruel people. Today, watching you talking on the stage, I realized that here is someone talking and living Truth. Here is a true human being in whom there is no distinction of American and Japanese. I am calling because I wanted to tell you this." Thus Shibayama Roshi's first trip to the United States was successful. Many thought it would be extremely difficult to transmit the essence of a religion or a philosophy with Zen's long tradition to people of a different cultural background, especially if this had to be done using an interpreter. Shibayama Roshi overcame all barriers with real Zen insight. He received many invitations to return to the States, and he found himself making annual visits for eight years. Yale, Southern Methodist, Vanderbilt and others were added to the list of schools. When he first went to the United States it was still the time of a so-called Zen boom. "Zen" was a favorite term of avant-garde artists. At the beginning many must have come to his talks curious to see an Oriental "Zen master." Soon, however, such students decreased in number. Audiences came to listen with a sincere and genuine aspiration. They wanted to know what Zen really was and to find if it had any significance for their own lives. There were many more requests for personal interviews than Roshi could accept in spite of his desire to see them all. Faculty interest increased as well, and special study meetings with specialists in the fields of religion and philosophy were held, where a Zen Roshi and authorities on Christianity, theology, and Western philosophy would have heart-to-heart talks and try to understand each other correctly. Though this was exhausting for him, he was very grateful for these opportunities, as he learned a great deal from them. We realized that when we thought we had come to the point where we could really understand each other, it was in fact the time we were made aware of our differences – how differently we feel, think, and react. One of the most significant experiences during these trips was the special student sesshin (intensive training period) at Colgate University. As the interest of students changed from mere curiosity to genuine spiritual quest, their wish for Zen training and some glimpse of Zen experience became greater. At their strong wish, Zen training was included in Colgate's Special Study Program. When we arrived at snow-covered Hamilton, New York, on January 7th, 1970, twenty-five students, who had spent the first week of January in reading assigned books on Zen, were waiting for us. The second week began with the first student sesshin led by Shibayama Roshi. Each day there was three hours of Zazen and a teisho (Zen talk) in the morning, afternoon was for individual studies and personal interviews with Roshi, followed by two hours of Zazen in the evening. For three weeks all the members stayed in their dormitories and could not leave the campus. Although this was not in accordance with the ordinary temple sesshin in Japan, still it was not an easy schedule students with casual interest could join. Zazen, especially, was difficult for the American youths unaccustomed to the full-lotus sitting posture. Yet they came to the Zen Hall in the Chapel House on the top of the hill, cheeks red in the freezing morning temperatures. There were no dropouts throughout the three weeks. Every morning Shibayama Roshi would give his teisho on the Mumonkan, give practical instructions on Zazen, and personally correct their Zazen postures. A Zen teisho is completely different from a lecture, if a lecture is thought of as being for the purpose of philosophically or conceptually explaining Zen. In a monastery, teisho is an occasion for a Zen master to present his Zen experience and spirituality directly and concretely before the students, so as to inspire strong spiritual searching. The students listened to the living teisho of a true Zen master, forgetting themselves and the pain in their legs. When the three-week sesshin was over, and the time for Roshi to leave the campus came, a student said, "Having known that a man like you actually lives among us, I now have hope and trust in human beings." Another said, "This sesshin is certainly the highlight of my life so far. I am glad I came to this univerisity, so I could join the sesshin and come to know you." They asked Shibayama Roshi to leave his teisho in the form of a book so that not only they but many other students in the West might share the opportunity with them. At their earnest requests and the persuasion of Dr. Kenneth Morgan, who promised that he would spare no efforts in helping him complete the book, Shibayama Roshi finally agreed to write Zen Comments on the Mumonkan, a complete translation of the Mumonkan with his teisho on each of the forty-eight koan. Though busy as Chief Abbot over some five hundred Zen temples, for three years he worked at this translation, concentrating on the work during winter months on the island of Hawaii, and for a month in summer in the mountains of Japan. Together with the Hekigan-roku, the Mumonkan has been studied and treasured by Zen students as an authentic text for training. There are many books about Zen in English, but no translations of classic Zen texts with Zen masters' comments have so far been available in English. We worked on it day and night. Ambiguous or random translations would never do, a grasp of every sentence, and every word, was required. It was like having sanzen (Zen interview) with Roshi everyday. What makes Zen Comments on the Mumonkan most significant is Shibayama Roshi's own teisho on each koan and on Master Mumon's commentary. He could not give the usual teisho he would give to the monks at a Japanese monastery using traditional Zen terms. Readers would mostly be American students, highly intelligent but with a completely different cultural background and way of thinking. His constant concern was how Zen could be correctly transmitted to such readers. The work lamp burned until after midnight. Often, I would wake up after a few hours and find the light on in his room. Quietly opening the door, I would see him already working at his desk at three or four o'clock in the morning. The three winters we went to Hawaii he did not go out for sightseeing even once. The best I could manage was to take him out for an hour walk in the evenings. The manuscript of Zen Comments on the Mumonkan was completed in January 1973, with the unstinting help of Dr. Morgan. Receiving the first copy of the beautifully completed book in May 1974, Shibayama Roshi looked happy, and said, "It turned out nicely. This will be the greatest work of my life. I am grateful for all who helped me to complete it." Soon after this, he was taken ill and had to be moved into a hospital in Kyoto. In June he underwent two emergency operations, but to the great dismay of his disciples and friends, he passed away on August 29th, 1974, at the age of eighty. Shibayama Roshi was certainly a great man, and uniquely so. Yet he was an "ordinary man," who attained his Zen personality only after long and diligent training, an example showing that a man actually can live a life of prajna (wisdom) and karuna (compassion). His warm, gentle smile is gone. Shibayama Roshi does live, however, in his friends and followers, or rather, what lives there is something prior to any such naming, an ever unnamable 'it' that, gratefully, keeps on living.

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"A flower does not think of competing to the flower next to it. It just blooms."

Zenkei Shibayama, a Japanese Rinzai Zen master, shared profound insights on mindfulness, self-realization, and the nature of life. Some of his most notable quotes include:
On simplicity and natural growth:

  • "A flower does not think of competing to the flower next to it. It just blooms. Silently a flower blooms, in silence it falls away; yet here now, at this moment, at this place, the world of the flower, the whole of the world is blooming. The glory of eternal life is fully shining here." This emphasizes living authentically without comparison or attachment to outcomes A-Z Quotes+1.
    On Zen and self-realization:
  • "Zen is the way of complete self-realization; a living human being who follows the way of Zen can attain satori and then live a new life as a Buddha." This highlights the transformative power of Zen practice in achieving enlightenment and inner peace A-Z Quotes+2.
    On peace of mind and acceptance:
  • "True peace of mind can be obtained only when one is personally awakened to the stark-naked fact that every effort is ultimately in vain." Shibayama teaches that acceptance of impermanence and the limits of effort leads to genuine tranquility A-Z Quotes+2.
    On perception and non-attachment:
  • "The mirror is thoroughly egoless and mindless. If a flower comes it reflects a flower, if a bird comes it reflects a bird. Everything is revealed as it is. There is no discriminating mind or self-consciousness on the part of the mirror. If something comes, the mirror reflects. If it disappears, the mirror just lets it disappear… no traces of anything are left behind." This metaphor illustrates the Zen ideal of observing reality without clinging or judgment onejourney.net.
    These quotes reflect Shibayama’s teachings on mindfulness, impermanence, and the beauty of living fully in the present moment. They are drawn from his works such as A Flower Does Not Talk: Zen Essays and his lectures on Zen practice 

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Wednesday, July 1, 2026

A02096 - Clive Davis, American Record Executive Who Was Inducted Into the Rock and Roll Hall of Fame in 2000

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Clive Davis
Davis in 1980
Born
Clive Jay Davis

April 4, 1932
New York City, U.S.
DiedJune 22, 2026 (aged 94)
New York City, U.S.
EducationNew York University
Harvard Law School
Occupations
  • Record producer
  • record executive
Years active1960–2026
Spouses
Helen Cohen
(m. 1956; div. 1965)
Janet Adelberg
(m. 1965; div. 1985)
Children4, including Doug Davis
Websiteclivedavis.com


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Clive Davis (born April 4, 1932, Brooklyn, New York, U.S.—died June 22, 2026, Manhattan) was an American music executive and producer who headed several labels, notably CBS Records (1967–73) and Arista (1974–2000), and guided the careers of numerous top-selling musicians, including Janis Joplin, Carlos Santana, Aretha Franklin, Whitney Houston, Rod Stewart, and Alicia Keys. Notably, Davis helped steer Columbia Records (a CBS subsidiary) from its focus on jazz, classical, folk, and traditional pop artists to sign more rock and rhythm-and-blues (R&B) acts.

Career with CBS and Columbia

Davis grew up in a middle-class family in Brooklyn, New York. As a child and young man, he was not especially interested in music. He earned scholarships to New York University (B.A., 1953) and Harvard Law School (1956), and in 1960 he joined the legal department of Columbia Records. Combining shrewd negotiation skills and a sharp business acumen, Davis quickly rose through the company ranks.

Soon after becoming president of CBS Records in 1967, he attended the Monterey Pop Festival in California, where he first saw Janis Joplin perform. The festival opened his eyes to the commercial potential of a new generation of rock musicians. He immediately signed Joplin’s band, Big Brother and the Holding Company, to Columbia, and Joplin quickly became one of the premier rock vocalists of the 1960s. Davis signed Carlos Santana’s eponymous band in 1968. Among other major rock acts brought to Columbia under Davis’s management were Bruce Springsteen, Aerosmith, and Billy Joel.

Head of Arista Records

In 1973 Davis was fired from CBS Records for allegedly misappropriating company funds—a charge that Davis denied—and the following year he took charge of what would become Arista Records. He signed Patti Smith to Arista in 1975, and her widely acclaimed first album, Horses, was released that same year. Davis later brought to the label such influential groups as the Kinks and the Grateful Dead. He also guided both Aretha Franklin and Dionne Warwick through career slumps, helping Warwick return to the charts with “I’ll Never Love This Way Again” (1979) and helping Franklin score smash hits with “Jump to It” (1982) and “Freeway of Love” (1985).

In the 1970s Davis began hosting an annual invitation-only Grammy Awards gala, which was held before the ceremony. His parties soon became legendary, attracting an A-list of talent in the entertainment industries and high-profile politicians. Davis was a public figure in his own right, known for his dapper style and for his close collaboration with his roster of stars, guiding them throughout the creative process. Although he occasionally clashed with or misdirected some of his clients on projects, such as singer-songwriter Barry Manilow and jazz singer Tony Bennett, other artists, such as Franklin, were intensely loyal to him.

In 1983 Davis signed Whitney Houston, Warwick’s 19-year-old cousin, and began grooming the gospel-based singer for crossover pop success. Her debut album, Whitney Houston (1985), yielded three number one singles in the United States, and she went on to become one of the best-selling musical performers of the 1980s and ’90s. In the late 1990s Davis oversaw yet another major comeback, helping Santana return with Supernatural (1999); the album topped charts worldwide and earned a record-tying eight Grammy Awards. (Santana’s feat of most Grammys won in a single night matched Michael Jackson’s in 1984.)

Later career and personal life

Davis was inducted into the Rock and Roll Hall of Fame in 2000. He left Arista that year to start a new label, J Records, which closed in 2011. He also served as the chief creative officer for Sony Music Entertainment. In the 21st century he continued his remarkable string of successes by signing and mentoring such artists as Alicia Keys, Jennifer Hudson, and Kelly Clarkson.

In 2013 Davis published his autobiography, The Soundtrack of My Life, in which he revealed his bisexuality. Davis was married twice, first to Helen Cohen and then to Janet Adelberg; both marriages ended in divorce. He later had a long-term partnership with interior designer and real estate agent Greg Schriefer. Davis had four children. He died in June 2026 at age 94 after being hospitalized with respiratory issues.

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Clive Jay Davis (April 4, 1932 – June 22, 2026) was an American record executive, A&R executive, record producer and lawyer. He won four Grammy Awards and was inducted into the Rock and Roll Hall of Fame as a non-performer in 2000.[1] From 1967 to 1973, Davis was the president of Columbia Records. He was the founder and president of Arista Records from 1974 through 2000 until founding J Records. From 2002 until April 2008, he was chair and CEO of the RCA Music Group (which included RCA Records, J Records, and Arista Records), chair and CEO of J Records, and chair and CEO of BMG North America.

Davis is credited with having hired a young recording artist, Tony Orlando, as a music executive for Columbia in 1967, who provided Barry Manilow with his first recording contract a few years later.[2] Davis signed many artists who achieved significant success, including Pink Floyd; Sly and the Family Stone; Janis Joplin; Laura Nyro; Santana; Bruce Springsteen; Chicago; Earth, Wind & Fire; Aerosmith; Billy Joel; Donovan; the Bay City Rollers; Blood, Sweat & Tears; Luther Vandross; Loggins and Messina; Ace of Base; Olivia Longott; Westlife; and Gavin DeGraw. Davis is credited with bringing Whitney Houston and Barry Manilow to prominent stature as artists.[3] Davis served as the chief creative officer of Sony Music Entertainment from 2008 until his death in 2026.

Early life and education

Clive Jay Davis was born on April 4, 1932, in Brooklyn, New York City, to Jewish parents,[4] Herman and Florence Davis. His father worked as an electrician and salesman.[5] He grew up in the Brooklyn neighborhood of Crown Heights,[5] and attended Erasmus Hall High School in Flatbush, Brooklyn.[6]

His mother died of a cerebral hemorrhage at the age of 47, and his father died from a heart attack a year later while Davis was still a teenager. He moved in with his married sister who lived in Bayside, Queens.[5] He attended New York University College of Arts & Science on scholarship in Manhattan, graduating[5] magna cum laude with a degree in political science[7] and Phi Beta Kappa in 1953. He received a full scholarship to Harvard Law School in Cambridge, Massachusetts, and graduated in 1956.[8]

Career

Columbia/CBS Records years

Davis practiced law in a small firm in New York,[9] then moved on to the firm of Rosenman, Colin, Kaye, Petschek, and Freund two years later, where partner Ralph Colin had CBS as a client.[10] Davis was subsequently hired by a former colleague at the firm, Harvey Schein, to become assistant counsel of CBS subsidiary Columbia Records at 28 with a guarantee that he would become general counsel the next year, which he did.[11] As part of a reorganization of Columbia Records Group, group president Goddard Lieberson appointed Davis as administrative vice president and general manager in 1965.[12] In 1966, CBS formed the Columbia–CBS Group which reorganized CBS's recorded music operations into CBS Records with Davis heading the new unit.[13]

In 1967, Davis was appointed president and became interested in the newest generation of folk rock and rock and roll. One of his earliest pop signings was the British folk-rock musician Donovan, who enjoyed a string of successful hit singles and albums released in the U.S. on the Epic Records label. In the same year, Davis hired 23-year-old recording artist Tony Orlando as general manager of Columbia publishing subsidiary April-Blackwood Music; Orlando went on to become vice-president of Columbia/CBS Music and signed Barry Manilow in 1969.[14] In June 1967, Davis attended the Monterey Pop Festival after his friends and business associate, Lou Adler, convinced him.[15] He immediately signed Janis Joplin with Big Brother and the Holding Company, and Columbia went on to sign Laura Nyro; The Electric Flag; Santana; The Chambers Brothers; Bruce Springsteen; Chicago; Billy Joel; Blood, Sweat & Tears; Loggins and Messina; Aerosmith; and Pink Floyd (for rights to release their material outside of Europe).[16][17][18][19]

Among the most commercially successful recordings released during Davis's tenure at Columbia was Lynn Anderson's Rose Garden, in late 1970. Davis insisted that "Rose Garden" be the country singer's next single release. The song crossed over and was a No. 1 hit in 16 countries worldwide. "Rose Garden" remained the biggest-selling album by a female country artist for 27 years.[20][21] In 1972, Davis signed both Earth, Wind & Fire and Aerosmith to Columbia Records. In 1979 Aerosmith mentioned Davis in the song "No Surprize", in which Steven Tyler sings, "Old Clive Davis said he's surely gonna make us a star, I'm gonna make you a star, just the way you are."[22] Starting on December 30, 1978,[23] Bob Weir of the Grateful Dead occasionally changed the lyrics of the Dead standard "Jack Straw" in concert from "we used to play for silver, now we play for life", to "we used to play for acid, now we play for Clive."[24] A Detroit band, Death, was one of the last bands Davis tried to sign to Columbia Records.[25] A Rolling Stone article dated July 5, 1973, reported that CBS fired Clive Davis "amid allegations of misuse of funds and providing drugs to artists and disk jockeys" as part of an alleged payola scandal.[26] Davis, however, denied that his dismissal was connected in any way to drugs or payola.[27]

Arista years

After Davis was fired from CBS Records in 1973 for allegedly using company funds to bankroll his son's bar mitzvah,[13][28][26] Columbia Pictures then hired him to be a consultant for the company's Bell Records label. He wrote his memoir and then founded Arista Records in 1974.[29][30][31] The company was named after New York City's secondary school honor society with the name, of which Davis was a member.[32] At Arista, Davis signed Barry Manilow, followed by Aretha Franklin, Dionne Warwick, Patti Smith, Westlife, Al Jourgensen, The Outlaws, Eric Carmen, Kenny G, the Bay City Rollers, Exposé, Taylor Dayne, Milli Vanilli, Ace of Base, Air Supply, Ray Parker Jr., Raydio, and Alicia Keys, and he brought Carly Simon, Melissa Manchester, Grateful Dead, The Kinks, Jermaine Stewart, Gil Scott-Heron (on whose episode of TV One's Unsung Davis was interviewed) and Lou Reed to the label.[16][17][18][19] He co-founded Arista Nashville in 1989 with Tim DuBois, which became the home to Alan Jackson, Brooks & Dunn, Pam Tillis, and Brad Paisley.[33]

Davis founded LaFace Records with L.A. Reid and Babyface.[34] LaFace subsequently became the home of TLC, Usher, Outkast, Pink, and Toni Braxton.[34] Davis assisted Sean "Puffy" Combs with the creation of Bad Boy Records; it became the home of the Notorious B.I.G., Craig Mack, Combs, Mase, 112, and Faith Evans, although Davis later admitted that he never quite understood rap music.[35][36] In 1998, Davis signed LFO, who became best known for their 1999 hit single "Summer Girls".[37] During the Arista years, he set up his own production company Clive Davis Entertainment, for a two-year first-look agreement with movie studio TriStar Pictures in 1987.[38] Davis was made aware of Cissy Houston's daughter Whitney Houston after he saw the Houstons perform at a New York City nightclub. Impressed with what he heard, Davis signed her to Arista. Houston became one of the biggest selling artists in music history under the guidance of Davis at Arista.[39]

J Records, RCA, Sony years

Davis at the 2023 Kennedy Center Honors dinner

Davis was fired from Arista in 2000 and started J Records, an independent label with financial backing from Arista parent Bertelsmann Music Group, named with the middle initial of Davis and his four children.[40] BMG bought a majority stake in J Records in 2002, and Davis became president and CEO of the larger RCA Music Group.[41] His continued success in breaking new artists was recognized by the music industry A&R site HitQuarters when he was named the "world's No.1 A&R of 2001" based on worldwide chart data for the year.[42]

In 2004, BMG merged with Sony Music Entertainment to form Sony BMG. With the assets of the former CBS Records (renamed Sony Music Entertainment in 1991) now under Sony's ownership, the joint venture resulted in a return of sorts for Davis to his former employer. Davis remained with RCA Label Group until 2008, when he was named chief creative officer for Sony BMG.[43] Davis was elevated to chief creative officer of Sony Music Entertainment,[44] a title he held until his death, as part of a corporate restructuring when Sony BMG became Sony Music Entertainment in late 2008 after BMG had sold its shares to Sony.[45] Arista Records and J Records, which were both founded by Davis, were dissolved in October 2011 through the restructuring of RCA Records. All artists under those labels were moved to RCA Records.[46]

Personal life and death

Davis was married to Helen Cohen from 1956 to 1965 and to Janet Adelberg from 1965 to 1985; both marriages ended in divorce. He had four children including Doug Davis, a music executive and Grammy award-winning record producer.[47] Davis had eight grandchildren.[48][49] In 2013, at the age of 80, Davis publicly came out as bisexual in his autobiography The Soundtrack of My Life.[50] On the daytime talk show Katie, he told host Katie Couric that he hoped his revelation would lead to "greater understanding" of bisexuality.[51] He subsequently had several same-sex relationships. The autobiography was the basis for the two-hour documentary Clive Davis: The Soundtrack of Our Lives.[52]

Davis died at his home in Manhattan on June 22, 2026, at age 94.[16][17] He had been hospitalized with respiratory problems shortly before his death.[53] His funeral service was held on June 29 at Central Synagogue in New York City. The funeral service included eulogies by Bruce Springsteen, Barry Manilow, Alicia Keys, and Dionne Warwick.[54][55]

Legacy

Davis at the 2025 New York Film Festival

In his obituary, The New York Times called Davis a "Hitmaking Titan of the Music Industry" who became one of "music's most powerful executives".[16] He was noted for elevating the careers of several influential musicians including Aretha Franklin; Barry Manilow; Billy Joel; Carlos Santana; Chicago; Earth, Wind and Fire; Aerosmith; Bruce Springsteen; and Whitney Houston.[16][17][56] The New York Times regarded him as being among the "few non-performers in the music industry to become a household name".[16]

The BBC regarded Davis as "one of the most influential music executives in the history of rock and pop".[17] CNN also called Davis a "monumental music producer and record industry titan" who "nurtured [stars]" in his career.[56] The Guardian noted his ability to find musical talent as he "predicted music's biggest stars like no one else".[18] Grammy Award winning producer Diane Warren called Davis the "greatest music man of all time".[57] The Hollywood Reporter credited his "golden ear" who helped elevate Janis Joplin's career and "made Bruce Springsteen and Whitney Houston household names" and "carried Carlos Santana and Aretha Franklin to newfound fame".[58] Davis was considered a bisexual icon who helped shift the cultural attitude around bisexuality, with Yahoo calling him a "bisexual star-maker".[59][60]

An alumnus of New York University, Davis was a significant benefactor to the institution. The recorded music division of its Tisch School of the Arts is named in his honor as the Clive Davis Institute of Recorded Music.[61]

Davis was portrayed by Stanley Tucci in Whitney Houston: I Wanna Dance with Somebody, a Sony Pictures biopic about Houston's life and career. Davis also served as a producer on the film.[62] A 2024 interview with Davis conducted by Ritch Esra and Eric Knight was published on MubuTV.[63]

Awards and honors

As a producer, Davis won four Grammy Awards.[64] Davis also received the Grammy Trustees Award in 2000[65] and the President's Merit Award at the 2009 Grammys.[66] In 2011, the 200-seat theater at the Grammy Museum was named the "Clive Davis Theater".[67]

In 2000, Davis was inducted into the Rock and Roll Hall of Fame in the non-performers category.[68] The same year, he received the Golden Plate Award of the American Academy of Achievement.[69] In 2015, he was recognized by Equality Forum as one of the 31 Icons of the LGBT History Month.[70] Davis was a 2018 honoree at The New Jewish Home's Eight Over Eighty Gala.[71]

Grammy Awards

CategoryYearWorkResultRef
Grammy Award for Record of the Year1976"Mandy" by Barry ManilowNominated[64]
Grammy Award for Album of the Year2000Supernatural by SantanaWon
Grammy Award for Best Rock AlbumWon
Grammy Award for Best R&B AlbumMy Love Is Your Love by Whitney HoustonNominated
Grammy Award for Best Pop Vocal Album2006Breakaway by Kelly ClarksonWon
Grammy Award for Best R&B Album2009Jennifer Hudson, Jennifer HudsonWon
Grammy Award for Record of the Year"Bleeding Love" by Leona LewisNominated

Written works

References

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