Monday, January 30, 2023

A01259 - Barrett Strong, "I Heard It Through the Grapevine", "War" and "Just My Imagination" Songwriter

 

Barrett Strong, Whose ‘Money’ Helped Launch Motown, Dies at 81

As a singer he was a one-hit wonder. But teaming with Norman Whitfield, he wrote a string of hits for others, including “I Heard It Through the Grapevine.”

A young Barrett Strong, wearing a loosefitting suit and posing for the camera, smiling, with his left hand in his pocket and his right hand in a finger-snapping gesture.
Barrett Strong in an early publicity photo. The success of his record “Money (That’s What I Want)” was essential to the growth of the company that became Motown Records.Credit...Michael Ochs Archives/Getty Images
A young Barrett Strong, wearing a loosefitting suit and posing for the camera, smiling, with his left hand in his pocket and his right hand in a finger-snapping gesture.

5 MIN READ

Barrett Strong, whose 1959 hit, “Money (That’s What I Want),” gave a fledgling music entrepreneur named Berry Gordy Jr. the jump start his business — soon to be known as Motown Records — needed, and who later teamed with Norman Whitfield to write hits for others, including “I Heard It Through the Grapevine” and “Ball of Confusion,” has died. He was 81.

The Motown Museum announced his death on social media on Sunday. It gave no further details.

Mr. Strong, a pianist, was being managed by Mr. Gordy when, in a recording studio in Detroit, he began fiddling with a riff that was an imitation of one of his favorite artists.

“We were doing another session, and I just happened to be sitting there playing the piano,” he told The New York Times in 2013. “I was playing ‘What’d I Say,’ by Ray Charles, and the groove spun off of that.”

The recording engineer, Robert Bateman, was tantalized by what he was hearing, alerted Mr. Gordy, and soon the song, with its famous opening — “The best things in life are free, but you can give them to the birds and bees” — was born. The record, with an energetic vocal performance by Mr. Strong, was released on the Tamla label and later on Anna, both precursors of Motown.

It began climbing the charts in early 1960 and was distinctly more earthy than the songs it shared the best-seller lists with — “Theme From a Summer Place” by Percy Faith, “This Magic Moment” by the Drifters, “Puppy Love” by Paul Anka, “Let It Be Me” by the Everly Brothers. It rose to No. 23 on the Billboard Hot 100, its success giving Mr. Gordy money and credibility that helped him take Motown national.

The record even got some international play. “It has a good beaty backing,” The Lincolnshire Echo of Britain wrote in April 1960. The beaty backing may have been what caught the attention of a just-formed group called the Beatles; they covered the tune on their second album, “With the Beatles,” released in Britain in 1963, and it has been recorded by many others since.

Authorship of the song has remained in question. On the initial record, it was credited to Mr. Gordy and Janie Bradford, who had written other songs with Mr. Gordy. But, The New York Times reported in 2013, the copyright registration also credited Mr. Strong. That copyright was amended in 1962 to remove Mr. Strong’s name, but when the copyright was renewed in 1987 his name was restored, only to be removed again the next year — “his name literally crossed out,” The Times said.

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An older Mr. Strong, his head shaved, standing at a podium with the words “Songwriters Hall of Fame” on it and holding an award in both hands.
Mr. Strong at the 2004 Songwriters Hall of Fame induction ceremony in New York. He was inducted along with Norman Whitfield, his collaborator on numerous hits for the Temptations and other Motown artists.Credit...L. Busacca/WireImage for Songwriters Hall of Fame
An older Mr. Strong, his head shaved, standing at a podium with the words “Songwriters Hall of Fame” on it and holding an award in both hands.

In any case, there is no dispute about the impact of the song, and of the later songs Mr. Strong wrote with Mr. Whitfield, who died in 2008. “I Heard It Through the Grapevine” was a hit for Gladys Knight and the Pips in 1967, Marvin Gaye in 1968 and Creedence Clearwater Revival in 1970.

“Ball of Confusion” by the Temptations made the Top 10 in 1970, and over the next two years the Strong-Whitfield team brought that group two more hits, “Just My Imagination (Running Away With Me)” (1971) and “Papa Was a Rollin’ Stone” (1972). 

“Barrett was not only a great singer and piano player, but he, along with his writing partner Norman Whitfield, created an incredible body of work,” Mr. Gordy said in a statement.

“Their hit songs,” he added, “were revolutionary in sound and captured the spirit of the times.”

Mr. Strong could be self-deprecating about his accomplishments, as he was in an interview with The Los Angeles Times in 1990, when he and Mr. Whitfield received lifetime achievement awards from the National Academy of Songwriters.

“We wrote maybe 300 songs, and we had 12 good ones,” he said. “So 288 were bad ones.”

The journalist Gerald Posner encountered that side of Mr. Strong while researching his authoritative account of the record company, “Motown: Music, Money, Sex and Power” (2002).

“Barrett’s low-key and retiring manner was unusual for an artist and songwriter of his success,” Mr. Posner said by email. “It never went to his head, which was rare in the industry. In the interviews I did in the 1990s with Motown artists and executives, he seemed to be on everyone’s short list for ‘most liked.’

“He did not want to interview with me,” Mr. Posner continued, “because he did not want to talk about others he had worked with, afraid it might end up disturbing their friendships. He said he would ‘let his music’ be his contribution to the story.”

Mr. Strong was born on Feb. 5, 1941, in West Point, Miss. By the time he was 5, the family had moved to Detroit.

He first became fascinated by the piano as a young child. His father had brought an old piano home and would sit him on his knee while he fiddled on it.

“He couldn’t play,” Mr. Strong told the Detroit radio station WDET in 2016, “but I knew then I wanted to.”

Young Barrett played with his sisters’ gospel group, the Strong Sisters.

“My sisters were very pretty girls,” he told Los Angeles Weekly in 1999, “so when all the singers would come to town, all the guys would stop by my house. I’d play the piano and we’d have a jam session. This is how I got to know Jackie Wilson.”

Mr. Wilson was an up-and-coming rhythm-and-blues singer, and Mr. Gordy had written a few songs for him. Mr. Strong said he was 14 when he met Mr. Gordy, who invited him to come to his house and play a few songs.

“I was imitating Ray Charles,” he said. “I was singing and playing like Ray Charles, bobbing my head and stomping my feet the way he would do.”

For Mr. Gordy, he played Mr. Charles’s version of “Drown in My Own Tears.” Mr. Gordy was still in the early stages of getting his record business going, but within a few years Mr. Strong was in his newly set-up studio, and “Money” was one of the first songs recorded there.

A local disc jockey came by the studio and, when Mr. Gordy played the tape for him, wanted to put it on the air.

“Berry said no, but he took it anyway, went to the studio and played it on the radio,” Mr. Strong told WDET. “The phones lit up.”

Mr. Strong left Mr. Gordy not long after to sign a contract with a Chicago label, but not much came of it, and later in the 1960s he returned to Detroit and, with Motown now a major force in the industry, began writing with Mr. Whitfield. By then, with the Vietnam War and social unrest in the headlines, music had become more politicized; most Motown offerings steered clear of topicality, but Strong and Whitfield songs like “Ball of Confusion” and “War,” a 1970 hit for Edwin Starr, tackled it head-on.

“He and Norman Whitfield were the only songwriters who successfully produced political/social protest songs against Gordy’s standing order not to do so,” Mr. Posner said.

When Motown moved to Los Angeles in 1972, Mr. Strong stayed in Detroit. “It’s funky here,” he told The Detroit Free Press in 2001. “It’s not so funky out there.”

In the mid-1970s he recorded two albums, “Stronghold” and “Live & Love.” In 2001 he released “Stronghold II” on Blarritt Records, a label that he had founded in the mid-1990s but that didn’t last. Mr. Strong and Mr. Whitfield were inducted into the Songwriters Hall of Fame in 2004.

Information on Mr. Strong’s survivors was not immediately available.


A01258 - Gregory Allen Howard, "Remember the Titans" Screen Writer

 

Gregory Allen Howard, Screenwriter of ‘Remember the Titans,’ Dies at 70

After the success of the movie, he established a brand for writing Hollywood movies about inspiring episodes in Black history.

Denzel Washington in “Remember The Titans.” Gregory Allen Howard wrote the script for the movie, which is based on a true story.
Credit...Getty Images
Denzel Washington in “Remember The Titans.” Gregory Allen Howard wrote the script for the movie, which is based on a true story.

4 MIN READ

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Gregory Allen Howard, who wrote the scripts of several Hollywood movies about inspiring episodes in Black history, most famously “Remember the Titans,” died on Friday in Miami. He was a day shy of his 71st birthday.

His death, at a hospital, was caused by heart failure, his spokesman, Jeff Sanderson, said.

“Remember the Titans” (2000) has joined the list of American films that find social significance in sports triumphs.

Denzel Washington stars as Herman Boone, a Black coach leading a high school football team during its first season after racial integration. With the help of a white assistant, played by Will Patton, along with Black and white high school players who become devoted to each other, Mr. Boone launches the team on a glorious season, culminating in the state championship.

The movie was an immediate sensation, premiering at the Rose Bowl and the White House. President Bill Clinton led people involved with the production in a school chant. Just a year later, The New York Times was calling it “one of the most successful sports films of all time” and a leading exemplar of “a genre that could be called the macho weepie.”

On Nov. 4, 2008, after Barack Obama ended his presidential victory speech in Chicago with the words “May God bless America,” he was answered by the swelling, uplifting horns of the “Remember the Titans” instrumental theme.

Mr. Howard was the prime force behind the movie. After moving to Alexandria, Va., he found himself struck by a prevailing atmosphere of racial harmony there. When he asked around about its source, he was continually told about the football team of T.C. Williams High School, which became integrated in 1971 and went on that year to win the state championship. He began buying life rights, including those of the real Herman Boone, and working on a screenplay.

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Mr. Howard at the premiere of “Harriet” in 2019. He said he had spent 25 years fighting to make the movie.
Credit...Leon Bennett/WireImage, via Getty Images
Mr. Howard at the premiere of “Harriet” in 2019. He said he had spent 25 years fighting to make the movie.

In a review, the Times film critic A.O. Scott described “Remember the Titans” as “corny,” adding that it was “unabashedly, even generously so.” The movie is widely reported to have earned more than $100 million worldwide over its roughly $30 million budget.

Mr. Howard continued working in the vein of inspirational Black history. He wrote the story for “Ali,” which had four other screenwriters. It premiered in 2001 and starred Will Smith as Muhammad Ali. In a review in The Times, Elvis Mitchell called “Ali” a “near great movie.” But despite hype, it lost money at the box office.

Beginning in 1994, Mr. Howard tried to get a movie made out of a screenplay he wrote on the life of Harriet Tubman. In 2019, A.O. Scott described the final product, “Harriet,” as “accessible, emotionally direct and artfully simplified.”

In an essay for The Los Angeles Times that year, Mr. Howard described the release of the film as the culmination of an “epic 25-year journey.” He said that he could not list “the number of doors slammed in my face, the number of passes, the number of unreturned phone calls, canceled meetings, abandonments, racist rejections, the number of producing partners who bailed.”

But over time the movie industry became more interested in a Tubman biopic, he continued: “#OscarsSoWhite, DiversityHollywood and the other pushes and protests for inclusion and diverse storytelling had moved the needle: The climate had changed,” he wrote.

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Michael Bentt, left, and Will Smith in the movie “Ali.” Mr. Howard wrote the story for the film.
Credit...Peter Brandt/Getty Images
Michael Bentt, left, and Will Smith in the movie “Ali.” Mr. Howard wrote the story for the film.

Gregory Allen Howard was born on Jan. 28, 1952, in Norfolk, Va. He was raised by his mother, Narcissus (Cole) Henley, and his stepfather, Lenard Henley, a chief petty officer in the Navy. (His father was Lowry Howard.)

From the time he was 5 to 15, his family moved 10 times, finally settling in Vallejo, Calif. In 1974, he graduated from Princeton with a bachelor’s degree in American history. In later years, he frequently referred to his studies in college as inspiring the historical subject matter of his screenplays.

After briefly working on Wall Street, Mr. Howard moved to Los Angeles and tried to become a screenwriter. He did not have much success and moved to Alexandria, wondering if a change in scenery might help while also contemplating giving up and studying to become a teacher.

“When you hear no that much, you just begin to think, ‘I guess they’re right,’” he told The Times in 2000.

After being inspired by the story of T.C. Williams High School, he pitched “every financing entity in the movie business,” he told The Times, until the producer Jerry Bruckheimer finally took on the project.

In the mid-2010s, Mr. Howard’s website reflected a sense that his career had stalled. “The sad truth is it’s almost impossible to get movies made,” he wrote. “It’s a miracle that I’ve been involved in two, ‘Ali’ and ‘Titans.’”

But by 2020, things had changed, with “Harriet” released the previous year and Mr. Howard working on several new projects also related to African American history and culture, he told The Washington Post.

Mr. Howard is survived by a half sister, Lynette Henley, and a half brother, Michael Henley. Herman Boone died in 2019.

Mr. Howard, who was an offensive lineman on his own high school varsity football team, attributed the success of “Remember the Titans” to the popularity of the sport and the place it holds in the memories of American men.

“You’re talking about millions of guys,” he told The Times in 2001. “It’s a bonding experience like you can’t believe, and for a lot of men it was the last time they were important or heroic. It touches a nerve of a time when I was last innocent.”