"There is something wonderfully bold and liberating about saying Yes to our entire imperfect and messy life. With even a glimmer of that possibility, joy rushes in." (04/22/2023)
Brach is an Engaged Buddhist, specializing in the application of Buddhist teachings and mindfulness meditation to emotional healing.[4] She has authored several books on these subjects, including Radical Acceptance, True Refuge, and Radical Compassion.
Brach holds bachelor's degrees in psychology and political science from Clark University.[3] She was awarded a doctorate in clinical psychology from the Fielding Graduate University[5] based on her dissertation analyzing the effectiveness of meditation in the healing of eating disorders.
Brach, Tara (2003). Radical Acceptance: Embracing Your Life with the Heart of a Buddha. Bantam. ISBN0-553-80167-8.
Brach, Tara (2012). "Mindful Presence: A Foundation for Compassion and Wisdom", in Wisdom and Compassion in Psychotherapy: Deepening Mindfulness in Clinical Practice edited by Christopher K. Germer and Ronald D. Siegel. Guilford PressISBN978-1462518869
Brach, Tara (2014). "Healing Traumatic Fear: The Wings of Mindfulness and Love", in Mindfulness-Oriented Interventions for Trauma: Integrating Contemplative Practices edited by Follette, Briere, Rozelle, Hopper and Rome. Guilford PressISBN978-1462518586
Brach, Tara (2019). Radical Compassion: Learning to Love Yourself and Your World with the Practice of RAIN. Viking. ISBN978-0525522812.
Brach, Tara (2021). Trusting the Gold: Uncovering Your Natural Goodness. Sounds True. ISBN978-1-68364-713-3.
""Carpe diem" doesn't mean seize the day -- it means something gentler and more sensible. "Carpe diem" means pluck the day .... What Horace had in mind was that you should gently pull on the day's stem, as if it were, say a wildflower or an olive, holding it with all the practiced care of your thumb and the side of your finger. ... Pick the day, harvest the day, reap the day, mow the day, forage the day. Don't freaking grab the day in your fist like a burger at a fairground and take a big chomping bite out of it." (05/16/2023)
Nicholson Baker (born January 7, 1957) is an American novelist and essayist. His fiction generally de-emphasizes narrative in favor of careful description and characterization. His early novels such as The Mezzanine and Room Temperature were distinguished by their minute inspection of his characters' and narrators' stream of consciousness. Out of a total of ten novels, three are erotica: Vox, The Fermata and House of Holes.
Baker established a name for himself with the novels The Mezzanine (1988) and Room Temperature (1990). Both novels have for the most part a very limited time span. The Mezzanine occurs over the course of an escalator journey and Room Temperature happens while a father feeds his baby daughter.[6]
U and I: A True Story (1991) is a non-fiction study of how a reader engages with an author's work. It is partly about Baker's appreciation for the work of John Updike and partly a self-exploration. Rather than giving a traditional literary analysis, Baker begins the book by stating that he will read no more Updike than he already has up to that point. All of the Updike quotations used are presented as coming from memory alone, and many are inaccurate, with correct versions and Baker's (later) commentary on the inaccuracies.[7]
Critics group together Vox, The Fermata and House of Holes since they are all erotic novels.[8][9]Vox (1992) consists of an episode of phone sex between two young single people on a pay-per-minute chat line. The book was Baker's first New York Times bestseller and Monica Lewinsky gave a copy to President Bill Clinton when they were having an affair.[10] In Vox, Baker coined the word femalia. The Fermata (1994) also addresses erotic life and fantasy. The protagonist Arno Strine likes to stop time and take off women's clothes. The work proved controversial with critics.[11] It was also a bestseller.[1]House of Holes (2011) is about a fantastical place where all sexual perversions and fetishes are permitted.[9] It is a collection of stories, more or less connected to each other. The novellas are erotic in the sense of Giovanni Boccaccio's Decameron. The titular House of Holes is a fantasy sex resort in which people can engage in absurd sexual practices, such as groin transference and sex with trees. Akin to Alice's Adventures in Wonderland, people enter the House of Holes through such techniques as tumbling through a clothes dryer or through a drinking straw.[12]
Baker is a fervent critic of what he perceives as libraries' unnecessary destruction of paper-based media. He wrote several vehement articles in The New Yorker critical of the San Francisco Public Library for sending thousands of books to a landfill, eliminating card catalogs, and destroying old books and newspapers in favor of microfilm. In 1997, Baker received the San Francisco–based James Madison Freedom of Information Award in recognition of these efforts. In 1999, Baker established a non-profit corporation, the American Newspaper Repository, to rescue old newspapers from destruction by libraries.[13] In 2001, he published Double Fold: Libraries and the Assault on Paper about preservation, newspapers, and the American library system. An excerpt first appeared in the July 24, 2000, issue of The New Yorker, under the title "Deadline: The Author's Desperate Bid to Save America's Past."[14] The exhaustively researched work (there are 63 pages of endnotes and 18 pages of references in the paperback edition) details Baker's quest to uncover the fate of thousands of books and newspapers that were replaced and often destroyed during the microfilming boom of the 1980s and 1990s.
The 2004 novel Checkpoint is composed of dialogue between two old high school friends, Jay and Ben, who discuss Jay's plans to assassinate President George W. Bush.[15]
Human Smoke: The Beginnings of World War II, the End of Civilization (2008) is a history of World War II that questions the commonly held belief that the Allies wanted to avoid the war at all costs but were forced into action by Hitler's unforgiving actions. It consists largely of official government transcripts and other documents from the time. He suggests that the pacifists were correct in their views.[16]
In March 2008, Baker reviewed John Broughton's Wikipedia: The Missing Manual in the New York Review of Books. In the review, Baker described Wikipedia's beginnings, its culture, and his own editing activities under the username "Wageless".[17] His article "How I fell in love with Wikipedia" was published in The Guardian newspaper in the UK on April 10, 2008.[18]
The Anthologist (2009) is narrated by Paul Chowder, a poet, who is attempting to write an introduction to a poetry anthology. Distracted by problems in his life, he is unable to begin writing, and instead ruminates on poets and poetry throughout history.[19] Also in 2009, Baker reviewed Ken Auletta's Googled: The End of the World as We Know It in the New York Times.[20] Auletta responded by sending a letter to the editor bemoaning what he perceived as the inaccuracy of Baker's review.[21] Here is Baker's rebuttal:
Ken Auletta wrote a thought-provoking book, and I recorded several thoughts provoked. It’s a book review, not a bouillon cube. I don’t “imply” or “suggest” that the author agrees with the people he quotes. There is indeed an absence of warmth in this chronicle of Google as “dreaded disruptor,” but it’s an impartial chilliness, extending in all directions.[22]
In 2014, Baker spent 28 days as a substitute teacher in some Maine public schools as research for his 2016 book Substitute: Going to School With a Thousand Kids.[23] Baker tried to find out "what life in the classroom is really like."[24] He also wrote about the experience for The New York Times Magazine.[23]
While working on Traveling Sprinkler, Nicholson Baker posted some songs made in the style of protagonist Paul Chowder on YouTube. The ballads combined dance music with protest songs and dealt with foreign policy agenda.[29] Twelve songs were available in a deluxe e-book version of the novel and later on Bandcamp.[3]
Richardson, Eve, "Space, Projection and the Banal in the Works of Jean-Philippe Toussaint and Nicholson Baker", in Emma Gilby et Katja Haustein (ed.), Space. New Dimensions in French Studies, Oxford, Bern, Berlin, Brussels, Francfurt, New York and Vienna, Peter Lang, 2005. ("Modern French Identities", 30)
Saltzman, Arthur M. Understanding Nicholson Baker. University of South Carolina Press, 1999. ISBN1-57003-303-X
Shlomo, Elka Tenner (January 20, 2009). "Nicholson Baker Wasn't All Wrong". The Acquisitions Librarian. 15 (30): 117–130. doi:10.1300/J101v15n30_10.
Star, Alexander. "The Paper Pusher." The New Republic. May 28, 2001. 38-41.
