Monday, November 29, 2021

A01141- Maryam Durani, Afghan activist

 Durani, Maryam

Maryam Durani (b.1987).  An Afghan activist. Daughter of Haji Mohammad Eisa Durani, Maryam Durani was born in 1987. Hailing from the Muhammadzai tribe, Maryam is a graduate of the business department of American University of Afghanistan and currently she is a third class student of Law and Political Science at Noor University. Maryam Durani was also Kandahar people’s representative in the provincial council. She has served in different positions such as director of Khadijatul Kubra women's association for culture, owner of Merman Radio (special women radio) and as founder of the Kandahar woman advocacy network. She received the World Ten Brave Women’s award on March 8, 2012 as well as a World 100 Influential Figure’s award on April 20, 2012.  She has also received the Brave Woman award from the State of Pennsylvania, the Women Rights Protector’s award from Washington and an Iraq and Afghanistan Female Peace Activist’s appreciation letter from Turkey. She is a broadcaster and the manager of the Merman Radio of Kandahar. On April 6, 2013, she founded the Women's Network (Advocacy) in Kandahar. Maryam also established the Malalai Maiwandi Internet cafe a free women's internet cafe to connect more women to the world in a safe and comfortable space. she opened Malali Maiwandi internet cafe on September 25, 2013 which is the first of its kind in the Afghanistan.  There Afghan women could use the cafe for getting information about current affairs and obtain educational material, which is the main reason why she established the women's cafe. In 2012, she was chosen by Time Magazine as "The 100 Most Influential People in the World".  According to Time, "As the owner and operator of a radio station (Merman Radio) that focuses on women's issues and as a member of the Kandahar provincial council, Durani stands up for the region's women with remarkable bravery." On March 8, 2012, she became a recipient of the prestigious United States Secretary of State’s International Women of Courage Award.

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A01140 - David Gulpilil, Famous Aboriginal Actor

 

David Gulpilil, Famed Aboriginal Actor, Dies at 68

In a career that began with the film “Walkabout” 50 years ago, he was acclaimed for changing the way Australia’s Indigenous people were portrayed and viewed.

David Gulpilil in 2016. An Australian official said that he “revolutionized the way the world saw Aboriginal people.”
Credit...Brendon Thorne/Getty Image

By Neil Genzlinger

David Gulpilil, an Indigenous Australian who found film stardom as a teenager in 1971 when he was featured in “Walkabout” and went on to become Australia’s most famous Aboriginal actor, appearing in dramas like “Charlie’s Country,” for which he won a best-actor award at the Cannes Film Festival in 2014, and comedies like the 1986 hit “Crocodile Dundee,” has died. He was 68.

Steven Marshall, South Australia’s top official, announced his death on Monday, though he did not say when or where he died. In 2017 Mr. Gulpilil learned that he had terminal lung cancer, something he addressed in a documentary released this year called “My Name Is Gulpilil.”

Mr. Marshall, in a statement, called Mr. Gulpilil “an iconic, once-in-a-generation artist who shaped the history of Australian film and Aboriginal representation onscreen.” Others had heaped similar praise on Mr. Gulpilil over the years. In 2019, presenting him with a lifetime achievement award, the National Aborigines and Islanders Day Observance Committee, which celebrates Indigenous Australian communities, said he “revolutionized the way the world saw Aboriginal people.”

Mr. Gulpilil often played characters who explore or are affected by the intersection of Indigenous and modern cultures in Australia, something he knew from personal experience and did not always handle well. In between his acting roles, he had trouble with alcohol and spent time in prison, including for domestic abuse. Though Mr. Gulpilil sometimes seemed to mix easily in the broader world, Rolf de Heer, the director with whom he worked most often, said demons found him there.

“David can’t handle alcohol,” Mr. de Heer said in his director’s notes for “Charlie’s Country.” “He can’t handle cigarettes, or sugary drinks, or almost anything addictive. All of these substances, foreign to his culture, both soothe him and enrage him.”

One part of the moviemaking world that Mr. Gulpilil didn’t have trouble with, however, was the camera — he always seemed to be a natural, especially when, as was often the case, the setting of the film was the Australian wilds. As he put it in an autobiographical one-man stage show he performed in 2004, “I know how to walk across the land in front of a camera, because I belong there.”

David Gulpilil Ridjimiraril Dalaithngu is believed to have been born in 1953 in Arnhem Land, in Australia’s Northern Territory. Missionaries are said to have assigned him a birth date of July 1.

He was also assigned the name David at a government-run English school that he attended for a time.

“They asked me what was my name,” he said in a 1978 audio interview posted by the National Film and Sound Archive of Australia, “and I said, ‘My name is Gulpilil,’ and suddenly they said, ‘Ah, yeah, we’ll give you David.’”

He didn’t care for the school and its paternalism — “You got your culture, I got my culture,” he said — and instead cultivated a reputation as an excellent ceremonial dancer. His fluidity and love of performing caught the attention of the British director Nicolas Roeg when Mr. Roeg came to Australia looking for an Aboriginal youth for “Walkabout,” a story about two white children lost in the wilderness who are befriended by an Indigenous teenager. (Few Aboriginal actors had appeared in feature films at the time, though documentarians had visited Indigenous communities.)

The film led to international travel. Mr. Gulpilil, who was also a musician, used to tell the story of having his room at Cannes invaded by firefighters, who couldn’t place the sounds he was making on his didgeridoo — a traditional wooden instrument — and thought they might be the rumblings of a fire.

Several television roles followed “Walkabout,” and then in 1976 Mr. Gulpilil was back on the big screen in “Mad Dog Morgan,” a drama about an Irish outlaw (played by Dennis Hopper) who is a wanted man in Australia. Soon after came “Storm Boy,” in which he played an Aboriginal man who befriends a lonely boy and joins with him in raising some pelicans.

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From left, Paul Hogan, Linda Kozlowski and Mr. Gulpilil in “Crocodile Dundee,” in which Mr. Gulpilil played a friend to the title character.
Credit...Paramount, via Everett Collection

Mr. Gulpilil reached a much wider audience when he appeared in “Crocodile Dundee.” As a friend of Paul Hogan’s swashbuckling title character, he delivers one particularly good joke after his character meets a New York journalist played by Linda Kozlowski. She immediately tries to take his picture.

“You can’t take my photograph,” he says.

“I’m sorry,” she answers. “You believe it’ll take your spirit away.”

“No,” he says. “You’ve got the lens cap on.”

Mr. Gulpilil was especially proud of his work in “The Tracker” (2002), one of several films he made with Mr. de Heer. He played the title character, who leads several white men on a brutal journey in search of a fugitive.

“As he has in other Australian films, including ‘Walkabout,’ ‘The Last Wave’ and ‘Rabbit-Proof Fence,’ Mr. Gulpilil has the mystical aura of a man so profoundly in touch with the earth that he is omniscient and safe from harm,” Stephen Holden wrote in his review in The New York Times.

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Mr. Gulpilil in a scene from “Charlie’s Country,” for which he won a best-actor award at the Cannes Film Festival in 2014.
Credit...Monument Releasing

His most acclaimed role came in “Charlie’s Country,” another project directed by Mr. de Heer; the two men share the screenwriting credit. The movie is about an Aboriginal man struggling to maintain traditional ways. Parts of it were drawn from Mr. Gulpilil’s own life. He and Mr. de Heer began developing the story while Mr. Gulpilil, struggling with alcohol at the time, was in jail for breaking his wife’s arm.

His performance won the best-actor award in the Un Certain Regard section of the Cannes festival.

Mr. Gulpilil was married several times. Australian newspapers said his survivors include seven children.

Mr. de Heer, in an interview with The Herald Sun of Australia shortly after Mr. Gulpilil won the acting award at Cannes, talked about the pressures his friend felt living in the traditional Indigenous world and in the world that included places like Cannes.

“He struggles in both,” he said. “He’ll say he can live in both cultures, but I don’t think he does well in either.”

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A01139 - Arlene Dahl, Movie Star Turned Entrepreneur

 

Arlene Dahl, Movie Star Turned Entrepreneur, Is Dead at 96

She had already started branching out when her film career was at its height, writing a syndicated column and launching a fashion and cosmetics business.

Arlene Dahl in about 1955. Her column-writing and entrepreneurial ventures kept her in the public eye long after she had left Hollywood and settled in Manhattan.
Credit...Fox Photos/Hulton Archive, via Getty Images

By Wendell Jamieson

Arlene Dahl, who parlayed success as a movie actress in the 1940s and ’50s into an even more successful career as an author, beauty expert, astrologist, and fashion and cosmetics entrepreneur, died on Monday at her home in Manhattan. She was 96.

The death was confirmed by her husband, Marc Rosen.

Strikingly beautiful, Ms. Dahl was a model before becoming an actress — “considered one of the world’s loveliest gals,” The Daily News of New York wrote in a profile in 1959, using the parlance of the day.

With her fiery red hair, she was a natural for Technicolor; she notably played the seductive sister of another famous redhead, Rhonda Fleming, in the 1956 crime drama “Slightly Scarlet.” But though she demonstrated her range in everything from westerns, like “The Outriders” (1950), to the Red Skelton comedies “A Southern Yankee” (1948) and “Watch the Birdie” (1950), critics tended to focus on her looks more than her acting.

“Arlene Dahl is displayed to wondrous advantage,” declared one review of the 1953 adventure “Diamond Queen.”

The industry did the same.

“Arlene Dahl was another classic case — like Jane Greer and Evelyn Keyes — of a smart, fiercely funny woman being pigeonholed by her beauty,” Eddie Muller, who organizes an annual film noir festival in San Francisco, said in an interview in 2009, when Ms. Dahl was the event’s guest of honor. “It was hard for her to break out of the ‘redheaded bombshell’ mold.

“The great thing about Arlene,” he continued, “is that she didn’t let it bother her. She moved easily into other businesses and always seemed to be enjoying herself.”

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Ms. Dahl in the 1956 crime drama movie “Slightly Scarlet.” With her fiery red hair, she was a natural for Technicolor.
Credit...RKO, via Photofest

Ms. Dahl had already started branching out when her film career was at its height.

In 1951, she began writing a beauty column, titled “Let’s Be Beautiful,” for the Chicago Tribune-New York News Syndicate, which she would continue for 20 years. She had personally been recruited by Robert R. McCormick, the publisher of The Tribune, who, she said, “had an idea that if a girl like me would tell women how to be beautiful, they’d believe it.”

She soon founded a cosmetics and lingerie company, Arlene Dahl Enterprises, and would later write a syndicated astrology column as well as numerous books on both astrology and beauty.

These ventures kept her in the public eye long after she had left Hollywood and settled on the Upper East Side of Manhattan. And though acting was no longer her focus after the early 1960s, she was seen into the 1990s on television shows like “The Love Boat,” “Fantasy Island” and “Renegade.”

She also appeared on Broadway in 1972, when she took over the lead role in “Applause,” the hit musical based on the 1950 movie “All About Eve.”

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Ms. Dahl wrote numerous books on astrology and beauty, including this one, which combined them.

Arlene Carol Dahl was born on Aug. 11, 1925, in Minneapolis. Her father, Rudolph Dahl, was a car dealer. Her mother, Idelle (Swan) Dahl, died when Arlene was a teenager. With her father’s blessing, she then moved to Chicago, where she modeled for the Marshall Field’s department store, before relocating again, this time to New York City, where she continued to work as a model while pursuing acting.

In 1945, she landed a small part in a short-lived Broadway musical, “Mr. Strauss Goes to Boston.” The next year, while appearing in Philadelphia in “Questionable Ladies,” a play that would close before making it to Broadway, she was spotted by the movie mogul Jack Warner, who invited her to Hollywood for a screen test.

Ms. Dahl began her movie career with Warner Bros., but soon moved to MGM, the leading studio of the day, where she first attracted notice with supporting roles in movies like “The Bride Goes Wild” (1948) and “Scene of the Crime” (1949). She became a regular presence in the Hollywood gossip columns as well; after dating, among many other men, the young John F. Kennedy, she had two well-publicized marriages to fellow actors.

She and Lex Barker, who played Tarzan in the late 1940s and early ’50s — and who, she told People magazine, was the “most handsome man I’d ever seen” — divorced in 1952 after a year and a half of marriage. Two years later, she married the Argentine actor Fernando Lamas.

That marriage was tempestuous. The two had many public spats and several reconciliations meant to preserve the union — for the sake, Ms. Dahl said at the time, of their son, Lorenzo Lamas, who would go on to have a successful acting career of his own — but they ended in failure.

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Ms. Dahl with her son, the actor Lorenzo Lamas, and his wife, Shauna Sand, in 1997. 
Credit...Albert Ortega/Getty Images

Ms. Dahl and Mr. Lamas divorced in 1960. She would marry four more times. She married Mr. Rosen, a perfume bottle designer, in 1984. In addition to him, she is survived by Lorenzo Lamas; a daughter, Carole Delouvrier, from her third marriage, to Chris Holmes; another son, Stephen Schaum, from her fifth marriage, to Rounsville Schaum; nine grandchildren; and two great-grandchildren.

Many of Ms. Dahl’s ideas about beauty seem quaint at best today, but they were the key to her initial success as a writer. “Women are fast losing femininity, their proudest possession,” she said in a 1963 interview, “and I think it is important to tell them what men think so they will not lose what is most desired.”

She had comparable success later when she started writing about astrology.

While she was passionate about the subject — one interviewer wrote that she wanted to know his sign before she would agree to sit down with him — Ms. Dahl stopped short of claiming that astrology could predict the future.

“I liken astrology to a weatherman who forecasts the weather,” she said in a 2001 CNN interview. “If the weatherman says it’s going to rain tomorrow, you get up in the morning and you look out, and you see that it’s cloudy and it’s likely to rain, so you take an umbrella if you don’t want to get wet. Well, it’s the same thing with astrology.”


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