Willie M. "Bill" Pickett (December 5, 1870[1] - April 2, 1932[2]) was a cowboy, rodeo, and Wild West show performer.
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[hide]Personal life[edit]
Bill Pickett was born in the Jenks-Branch community of Travis County, Texas near Taylor, Texas in 1870. He was the second of 13 children born to Thomas Jefferson Pickett, a former slave, and Mary "Janie" Gilbert. Pickett had four brothers and eight sisters. The family's ancestry was African-American and Cherokee.[3]
In 1890, Pickett married Maggie Turner, a former slave and daughter of a white southern plantation owner. The couple had nine children.[4]
Career[edit]
Pickett left school in the 5th grade to become a ranch hand; he soon began to ride horses and watch the longhorn steers of his native Texas.
He invented the technique of bulldogging, the skill of grabbing cattle by the horns and wrestling them to the ground. It was known among cattlemen that, with the help of a trained bulldog, a stray steer could be caught. Bill Pickett had seen this happen on many occasions. He also thought that if a bulldog could do this feat, so could he. Pickett practiced his stunt by riding hard, springing from his horse, and wrestling the steer to the ground. Pickett's method for bulldogging was biting a cow on the lip and then falling backwards. He also helped cowboys with bulldogging.[4] This method eventually lost popularity as the sport morphed into the steer wrestling that is practiced in rodeos.[5][6]
Pickett soon became known for his tricks and stunts at local country fairs. With his four brothers, he established The Pickett Brothers Bronco Busters and Rough Riders Association. The name Bill Pickett soon became synonymous with successful rodeos. He did his bulldogging act, traveling about in Texas, Arizona, Wyoming, and Oklahoma.[3][7]
In 1905, Pickett joined the 101 Ranch Wild West Show that featured the likes of Buffalo Bill, Will Rogers, Tom Mix, Bee Ho Gray, and Zach and Lucille Mulhall. Pickett was soon a popular performer who toured around the world and appeared in early motion pictures, such as a movie created by Richard E. Norman.[8] Pickett's ethnicity resulted in his not being able to appear at many rodeos, so he often was forced to claim that he was of Comanche heritage in order to perform. In 1921, he appeared in the films The Bull-Dogger and The Crimson Skull.[9][10]
Death[edit]
In 1932, after having retired from Wild West shows, Bill Pickett was kicked in the head by a bronco and died after a multi-day coma.[3][4][7]
Recognition and legacy[edit]
Bill Pickett has a headstone beside the graves of the Miller brothers at the Cowboy Hill Cemetery, but he is buried near a 14-foot stone monument to the friendship of Ponca Tribal Chief White Eagle and the Miller Brothers on Monument Hill, also known as the White Eagle Monument to the locals, less than a quarter of a mile to the north-east of Marland in Noble County, Oklahoma.
In 1971, he was inducted into the National Rodeo Cowboy Hall of Fame.[11]
The United States Postal Service chose to include Bill Pickett in the Legends of the West commemorative sheet unveiled in December 1993.[12] One month later, the Pickett family informed the Postal Service that the likeness was incorrect. Its source material was a misidentified photograph of Bill Pickett's brother and fellow cowboy star, Ben Pickett. In October 1994, the USPS released corrected stamps based on the poster forThe Bull-Dogger.[13]
In March 2015, the Taylor City Council announced that a street that leads to the rodeo arena will be renamed to honor Bill Pickett.[citation needed]
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Bill Pickett, (born December 5, 1870?, Williamson county, Texas, U.S.—diedApril 2, 1932, Tulsa, Oklahoma), American rodeo cowboy who introducedbulldogging, a modern rodeo event that involves wrestling a running steer to the ground.
Pickett was descended from American Indians and black slaves in the Southwest. He grew up in West Texas, learning to ride and rope as a boy, and became a ranch hand; he performed simple trick rides in town on weekends. In 1900 he became a showman, sponsored by Lee Moore, a Texas rodeo entrepreneur. In 1907 Pickett signed with the 101 Ranch Wild West Show, becoming one of its star performers and assuming the status of a legendary figure for his masterful handling of both wild and domestic animals. For bulldogging, or steer wrestling, he perfected a technique of jumping from his horse, grabbing the steer around the neck or horns, sinking his teeth into the animal’s lip, and pulling it to the ground. Pickett’s most-grueling performance came in 1908 in a bullring in Mexico City. He there wrestled and rode a Mexican fighting bull for seven minutes before a riotous audience enraged at this original interpretation of the Mexican national pastime of bullfighting.
Pickett performed until about 1916, working as a cowhand and rancher thereafter. He later appeared in the silent films The Bull-Dogger (1921) and The Crimson Skull (1922). He died after being kicked by a horse in April 1932.
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Bill Pickett, (b. December 5, 1870?, Williamson County, Texas — d. April 2, 1932, Tulsa, Oklahoma), American rodeo cowboy who introduced bulldogging, a modern rodeo event that involves wrestling a running steer to the ground.
Pickett was descended from American Indians (Cherokees) and African American slaves in the Southwest. He grew up in West Texas, learning to ride and rope as a boy, and became a ranch hand; he performed simple trick rides in town on the weekends. In 1900, he became a showman, sponsored by Lee Moore, a Texas rodeo entrepreneur. In 1907, Pickett signed with the 101 Ranch Wild West Show, becoming one of its star performers and assuming the status of a legendary figure for his masterful handling of both wild and domestic animals. For bulldogging, or steer wrestling, he perfected a technique of jumping from his horse, grabbing the steer around the neck or horns, sinking his teeth into the animal’s lip, and pulling it to the ground. Pickett’s most-grueling performance came in 1908 in a bullring in Mexico City. He there wrestled and rode a Mexican fighting bull for seven minutes before a riotous audience enraged at this original interpretation of the Mexican national pastime of bullfighting.
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